NEWS

 
 

NEWS

 
Time out : Feminism and the Moving Image

The 1960s and ’70s were a perfect storm of art, social activism and emerging technologies, with newly accessible media such as video giving a platform to previously unheard voices, and socially progressive artists integrating these new technologies into their work. Feminism, as this exhibition explores, was prominent among the movements that leveraged new moving image media to challenge established social attitudes. Moreover, this dynamic deployment of tech in the battle against lingering sexism continues into the present day. Including Shiota Chiharu’s ‘Bathroom’, a 1999 video work which shows the artist covering her body with the substance, in an attempt to reconnect with pure sensation amidst the artificiality of urban life.

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e-flux : William Kentridge receives International Folkwang Prize

William Kentridge is being awarded the International Folkwang Prize. Since 2010, the Folkwang-Museumsverein has been awarding the prize to personalities who have rendered outstanding services to the promotion and communication of art in the spirit of the museum’s founder Karl Ernst Osthaus (1874–1921). The award ceremony takes place on November 4, 2024 as part of the Folkwang-Museumsverein’s annual reception in Essen.

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Glasstire : Sitting with Yoko

McLennon Pen Co. Gallery is excited to announce a special presentation of Yoko Ono editions, memorabilia, clothing, and vinyl records from gallery owner Jill McLennon’s private collection. (November 3 - 16, 2024)

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Art Basel : Meet the artists | Shirin Neshat

The photographer and filmmaker examines society, gender, violence, and beauty through a dual Iranian-American lens [...] In this episode of ‘Meet the artists,’ Neshat reflects on art, identity, and political discourse, highlighting the complexities of her hybrid existence between her Iranian roots and Western life. ‘There’s this constant duality in me, in the way I live, the way I look, and the way my work is informed,’ she shares.

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gabriela ancoShirin Neshat
Japan Foundation : The Japan Foundation Awards (2024)

This year marks the 51st anniversary of the Japan Foundation Awards, which were launched in 1973, the year after the establishment of the Japan Foundation. For the past 50 years, the Foundation has presented the Japan Foundation Awards to individuals and organizations that have made significant contributions to promoting international mutual understanding and friendship between Japan and other countries through academic, artistic, and other cultural pursuits. For 2024, the artist Chiharu Shiota is one of the three recipients selected after the screening of 60 candidates nominated by experts and the general public.

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gabriela ancoChiharu Shiota
The Art Newspaper : William Kentridge Self Portrait Coffee Pot

At the height of the Covid-19 lockdowns in 2020, people all over the world were stuck by themselves (and with themselves), thinking over hard existential questions. Inside his Johannesburg studio, the South African artist William Kentridge took it a step further—making a film series in which two versions of Kentridge discuss philosophical topics and argue with each other about misremembered childhood occurrences. At times, a third Kentridge drops in to play peacemaker or explain something to the camera. Made over the span of two years and now streaming on Mubi, the nine-episode Self-Portrait as a Coffee Pot (2022) combines humour and seriousness through dialogue (and monologue), animation, drawing, music and performance. A Dada-esque love letter to the studio and art-making, the series is delightfully optimistic. It is also exactly what one might expect from Kentridge in lockdown.

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The Collector : Who Is Kiki Smith? (by Lea Stankovic)

During her over four-decade-long career, contemporary American artist Kiki Smith predominantly explored themes concerning the human body, identity, and feminism. She was one of the first artists to address the AIDS crisis. Smith’s work also explores issues related to the female body and identity. She has challenged traditional depictions of women and their roles in art, by tackling issues such as sexuality, fertility, and the aging process. Smith’s art reflects a broader social and cultural dialogue about gender and social justice.

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gabriela ancoKiki Smith
Designboom : interview with william kentridge on his 'self portrait as a coffee pot' film series

South African artist William Kentridge teams up with global film distributor and streaming platform MUBI to release his nine-episode film series Self-Portrait as a Coffee Pot. Shot in Kentridge’s Johannesburg studio during and after the COVID-19 pandemic, the series draws inspiration from Charlie Chaplin, Dziga Vertov, and the innovative spirit of early cinema. Through a collection of distinct yet interconnected vignettes, it explores themes of humor, philosophy, politics, and artistic freedom—showcasing the resilience of creativity amidst isolation. ‘I wanted to make the films in the same way I would create a drawing,’ Kentridge explains in an interview with designboom, ‘without a script, following the impulse, letting the process unfold naturally.’ Following special previews at the Toronto International Film Festival and the BFI London Film Festival, and a presentation at the Arsenale Institute for the Politics of Representation during the 2024 Venice Biennale, the series will be available on MUBI starting October 18, 2024.

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Britannica : Shirin Neshat Iranian-born American artist (by Alicja Zelazko)

Shirin Neshat (born March 26, 1957, Qazvīn, Iran) is an Iranian-born American artist whose photography, video, and feature films investigate how women find freedom in repressive societies. About her work, Neshat stated: “Everything I’ve done is a celebration of the power of women. The Western world sometimes views Iranian women as victims, and while they’ve been continuously oppressed by religion and difficult political situations, they’ve always fought back. They’ve always broken rules.”

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gabriela ancoShirin Neshat
Monsters + MMoCA raises oppressed voices through poetry (by Akhilesh Peddi)

Five poets gathered at the Madison Museum of Contemporary Art (MMoCA) on Thursday evening. The group consisted of two University of Wisconsin professors, Erika Meitner and Timothy Yu. Other poets included Natasha Oladokun, a queer Black poet and essayist from Virginia; Nicholas Gulig, a Thai-American poet from Wisconsin; and Steven Espada Dawson, a poet from Los Angeles. They were gathered as part of the Monsters + MMOCA poetry reading to share their experience after visiting New York artist Shilpa Gupta’s current MMOCA exhibit, “I did not tell you what I saw, but only what I dreamt.” (until April 28). The exhibition focuses on state-sanctioned censorship and violence against free speech.

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gabriela ancoShilpa Gupta
RadioFrance : Yoko Ono, le parcours romanesque de "la célèbre artiste inconnue"

Today in Affaires Sensibles, Yoko Ono, Oh yes, or the romantic journey of a mysterious artist, and a 1.57 m tall misunderstanding, who has hovered over popular culture for almost 60 years. Yoko Ono is first and foremost the black widow through whom the scandal arrived; the one who, by dint of manipulations and satanic acts, destroyed the Beatles from the inside [...] Of course, all this is false, but it's the little tune we've been hearing regularly since the group's official split in April 1970. So who built this reputation? One thing is certain: before being the wife of a genius, Yoko Ono is first and foremost a unique artist whose aura extends far beyond music. A survivor of the Second World War, who arrived in New York from Japan at the age of 19 and was close to the Fluxus art movement, Yoko Ono had a thousand lives before embracing that of the Liverpool 4. Clever and calculating as well as warm and optimistic, she remains a mystery to this day. But who's behind that round face, impassive gaze and inimitable voice?

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gabriela ancoYoko Ono