NEWS

 
 

NEWS

 
Ocula : Shirin Neshat, Nicky Nodjoumi, and More Declare Support for Student Protests in Iran (By Michael Irwin)

Iranian scholars, critics, art historians, and curators made a statement declaring solidarity with art students protesting at Iranian universities. It has now garnered over 7,000 signatures. Originally released on 29 October with 600 initial signatures, the open letter was drafted by an anonymous steering committee. Signatories include Iranian artists such as Shirin Neshat, Nicky Nodjoumi, Nairy Baghramian, Tala Madani, and Shirazeh Houshiary.

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gabriela ancoShirin Neshat
Hypebeast : Artists and Activists Unveil ‘Eyes on Iran’ Installation on New York’s Roosevelt Island (by Shawn Ghassemitari)

Arts non-profit Woman Life Freedom have unveiled a new installation on New York’s Roosevelt Island to raise awareness to the humanitarian crisis happening in Iran. Made in collaboration with French artist JR and For Freedoms, a civil rights platform founded by Hank Willis Thomas and Eric Gottesman, Iranian artists Aphrodite Deìsireìe Navab, Icy and Sot, Shirin Neshat, Sepideh Mehraban, and Sheida Soleimani present a series of large-scale artworks entitled Eyes on Iran.

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gabriela ancoShirin Neshat
Art & Object : In Conversation with William Kentridge (by Jordan Riefe)

Frequently referred to as South Africa’s Goya for his rough-hewn depictions of life in Johannesburg through the politically tempestuous 1980s and 1990s, he could also be called that country’s Duchamp, Disney, or Daumier. Such comparisons are feeble and reductive. William Kentridge is William Kentridge. His practice is best described not by words but by his work in a career survey currently showing at LA’s The Broad museum through April 9.

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Bomb Magazine : Some Quickening of the Pulse: William Kentridge Interviewed by Ivan Talijancic

“William Kentridge’s prodigious creative output as a visual artist, filmmaker, and theater and opera director has graced many of the world’s stages, galleries, and museums for several decades. I have keenly followed his work for many years, but when his production of The Head and the Load landed at New York City’s vast Park Avenue Armory in 2018, I found it truly revelatory; it was one of those rare productions that simply fired on all cylinders—a veritable Gesamtkunstwerk.”

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E-flux Annoucements : Changes mumok—Museum moderner Kunst Stiftung Ludwig Wien

The collection show Changes—the title refers to Gilliam’s work and is intentionally in the plural—focuses on recent acquisitions to the collection, with works by Leidy Churchman, János Fájo, Philipp Fleischmann, Birke Gorm, Jojo Gronostay, Frida Orupabo, and Emily Wardill, and other works from the collection that have not yet been shown at mumok, and confronts these with older holdings which can thus be seen afresh. A number of thematic areas address relevant contexts from today’s perspective: abstractions, textures, environments, and in/visibilities.

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gabriela ancoShilpa Gupta
Taiwan News : Knitted pictures, hot plates and pigs: Artist Rosemarie Trockel defies categorization (By Deutsche Welle)

Rosemarie Trockel became famous in the 1980s with her knitted wool paintings. What the artist called her "knitting pictures" wasn't the result of turning a hobby into art, however: Trockel's wool artworks were rather machine-generated. By shifting the way traditionally feminine materials were used, she criticized traditional role models as well as the established hierarchy of art forms, which places painting above crafts.

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Faz Magazine : ROSEMARIE TROCKEL WIRD 70 : Aus dem Nähkästchen gekämpft (by Stefan Trinks)

Die Differenz aus Wildheit als Ideal und dem Mach- und Lebbaren ist das Agens der 1952 in Schwerte geborenen Künst­lerin Rosemarie Trockel. Auf der „Skulptur.Projekte Münster“ von 2007 etwa zeugte davon ihr semiakkurater Heckenriegel „Less Sauvage than Others (We­niger wild als andere)“, der zwar im Ganzen ordentlich getrimmt wirkte. Zu den Seiten hin schoss er jedoch in anarchischem Wildwuchs über die ihm von Gartennazis auferlegten Grenzen hinaus. Bei einer anderen Land-Art-Arbeit entsprang glucksend Wasser aus der Mitte eines Teichs – es war jedoch mitnichten ein Geysir, der sich da urwüchsig Bahn brach, sondern eine Gartenpumpe.

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Art New City : Reflections of Trauma: A Review of “Enter the Mirror” at the Museum of Contemporary Art (by S. Nicole Lane)

Each piece in “Enter the Mirror” at the Museum of Contemporary Art Chicago reflects on a trauma, an injustice, an unfortunate demise or a loss of life. The artworks in the show range from the 1970s to the mid-2010s, and include installation, video, sculpture, film, photography and painting. The truth of the works in the exhibition is difficult to face—it’s an entire room full of mourning.

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gabriela ancoShilpa Gupta
The Art Newspaper : Berlin museum unveils new Shirin Neshat banner in solidarity with protesters in Iran (by Gareth Harris)

A major German museum, the Neue Nationalgalerie in Berlin, unveiled a work by the Iran-born, New York-based artist Shirin Neshat on its façade following the death of Mahsa Amini. The intervention—which took place on Sunday 30 October—is the most high-profile institutional show of support for protestors in Iran after museums in the UK and US were criticised for failing to address the worsening human rights situation in the country.

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gabriela ancoShirin Neshat