This new artist’s book from Hauser & Wirth Publishers is a translation into book form of South African artist William Kentridge’s film series Self-Portrait as a Coffee-Pot, which premiered at the Arsenale Institute for Politics of Representation in Venice, during the 2024 Venice Biennale. In the nine-episode series, Kentridge employs a multidisciplinary approach—combining film with performance, collage, drawing, and music—to investigate the relationship between thinking and artistic creation and is a reflection on what might happen in the studio—and in the brain—of an artist today.

Galleria Continua welcomes contemporary Indian artist Shilpa Gupta back to its San Gimignano space with a new solo exhibition. Recognised as one of the leading international voices of her generation, Gupta presents works centred on her continued exploration of 'mobility, control and acts of resilience' at the show running from May 3 – August 31, 2025. It also includes a newly commissioned art installation created specifically for the auditorium of the former cinema-theatre in Italy.

This month, audiences in South Korea will once again encounter the haunting, layered world of the South African artist known for collapsing the boundaries between drawing, film, music and performance. William Kentridge, whose diverse works have previously been showcased at the National Museum of Modern and Contemporary Art, Korea, the Asia Culture Center and the Amorepacific Museum of Art, returns to Seoul with two of his recent works under the GS Arts Center’s Artists series: "Sibyl," and multimedia symphonic project “Shostakovich 10: Oh To Believe in Another World” (2024).

Oakville Galleries presents the exhibition Between Heaven and Earth and the project The Ship of Tolerance, by Ilya & Emilia Kabakov. This exhibition highlights a number of the artists’ works, including paintings, prints and installations, and spills out into the gardens with several larger artworks. The largest installation is The Ship of Tolerance, a 60-foot long, hand-crafted wooden ship with sails made from children’s paintings, presented lakeside in Gairloch Gardens for one year. Now, marking its 20th anniversary, its first appearance in Canada takes place at a critical time where a crossroads towards a new global order is visible. 

From March 28 to June 8, 2025, the Padiglione d'Arte Contemporanea (PAC) in Milan will host Body of Evidence, the most extensive retrospective ever dedicated in Italy to Iranian artist Shirin Neshat. Her poetic vision delves into the duality of oppression and self-determination, memory and oblivion, and silence and protest. The biggest mistake one can make when visiting a Neshat exhibition is to assume that the artist speaks only about herself—as a woman, an Iranian, and a self-exiled American artist.

Red Brick Art Museum sets itself apart with its impressive, longer-term art showings, and this current exhibition is no different. I recently revisited the museum to see "Silent Emptiness," a fantastic showing of the work of the brilliant Japanese artist Chiharu Shiota. 

The Museum of Contemporary Art Chicago is thrilled to announce Yoko Ono: Music of the Mind, opening October 2025. The MCA is the exclusive US venue for this comprehensive solo exhibition dedicated to artist, musician, and activist Yoko Ono (b. 1933, Tokyo, Japan; lives in New York). Traveling from Tate Modern in London, where it enjoyed record attendance, and in close collaboration with Ono’s studio, this groundbreaking retrospective covers seventy years of Ono’s trailblazing career, with over 200 works including participatory instruction pieces and scores, installations, a curated music room, films, music and photography, and archival materials. The exhibition reveals Ono’s innovative approach to language, art, and participation that continues to speak to the present moment.

Her art pieces are not the typical visual format of expression, rather Gupta’s installations often center around the act of listening as a basic gesture. From Faiz Ahmed Faiz’s poems to farmers’ songs, here moving sound acts as a form of defiance, turning it into an immersive process for the audience.